AnonimoBulto
AnonimoBulto
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ryanpanos:

Incineration Line | Erick van Egeraat | Tim Van de Velde | Via
The plant will incinerate waste, from nine surrounding municipalities and from many places abroad to produce electricity and heat power for the whole region of Roskilde. To provide the huge new incinerator line, planned in a relatively flat landscape and next to the relatively small city of Roskilde with a suitable appearance, an international design competition was organized. In 2008 the jury unanimously selected the design proposed by Erick van Egeraat. The design presents an iconic expression for the otherwise functional architecture of the local waste management company Kara/Noveren’s next generation incineration line. The façade consists of two layers: the inner layer is the skin which provides the actual climatic barrier, allowing the second skin to be treated more freely – raw umber-coloured aluminium plates with an irregular pattern of laser cut circular holes. The aluminium plates are treated to give them the desired colour and patina at day time. At night, the programmable lighting, installed between the two facades, gives the building an additional metaphor.
ryanpanos:

Incineration Line | Erick van Egeraat | Tim Van de Velde | Via
The plant will incinerate waste, from nine surrounding municipalities and from many places abroad to produce electricity and heat power for the whole region of Roskilde. To provide the huge new incinerator line, planned in a relatively flat landscape and next to the relatively small city of Roskilde with a suitable appearance, an international design competition was organized. In 2008 the jury unanimously selected the design proposed by Erick van Egeraat. The design presents an iconic expression for the otherwise functional architecture of the local waste management company Kara/Noveren’s next generation incineration line. The façade consists of two layers: the inner layer is the skin which provides the actual climatic barrier, allowing the second skin to be treated more freely – raw umber-coloured aluminium plates with an irregular pattern of laser cut circular holes. The aluminium plates are treated to give them the desired colour and patina at day time. At night, the programmable lighting, installed between the two facades, gives the building an additional metaphor.
ryanpanos:

Incineration Line | Erick van Egeraat | Tim Van de Velde | Via
The plant will incinerate waste, from nine surrounding municipalities and from many places abroad to produce electricity and heat power for the whole region of Roskilde. To provide the huge new incinerator line, planned in a relatively flat landscape and next to the relatively small city of Roskilde with a suitable appearance, an international design competition was organized. In 2008 the jury unanimously selected the design proposed by Erick van Egeraat. The design presents an iconic expression for the otherwise functional architecture of the local waste management company Kara/Noveren’s next generation incineration line. The façade consists of two layers: the inner layer is the skin which provides the actual climatic barrier, allowing the second skin to be treated more freely – raw umber-coloured aluminium plates with an irregular pattern of laser cut circular holes. The aluminium plates are treated to give them the desired colour and patina at day time. At night, the programmable lighting, installed between the two facades, gives the building an additional metaphor.
ryanpanos:

Incineration Line | Erick van Egeraat | Tim Van de Velde | Via
The plant will incinerate waste, from nine surrounding municipalities and from many places abroad to produce electricity and heat power for the whole region of Roskilde. To provide the huge new incinerator line, planned in a relatively flat landscape and next to the relatively small city of Roskilde with a suitable appearance, an international design competition was organized. In 2008 the jury unanimously selected the design proposed by Erick van Egeraat. The design presents an iconic expression for the otherwise functional architecture of the local waste management company Kara/Noveren’s next generation incineration line. The façade consists of two layers: the inner layer is the skin which provides the actual climatic barrier, allowing the second skin to be treated more freely – raw umber-coloured aluminium plates with an irregular pattern of laser cut circular holes. The aluminium plates are treated to give them the desired colour and patina at day time. At night, the programmable lighting, installed between the two facades, gives the building an additional metaphor.
ryanpanos:

Incineration Line | Erick van Egeraat | Tim Van de Velde | Via
The plant will incinerate waste, from nine surrounding municipalities and from many places abroad to produce electricity and heat power for the whole region of Roskilde. To provide the huge new incinerator line, planned in a relatively flat landscape and next to the relatively small city of Roskilde with a suitable appearance, an international design competition was organized. In 2008 the jury unanimously selected the design proposed by Erick van Egeraat. The design presents an iconic expression for the otherwise functional architecture of the local waste management company Kara/Noveren’s next generation incineration line. The façade consists of two layers: the inner layer is the skin which provides the actual climatic barrier, allowing the second skin to be treated more freely – raw umber-coloured aluminium plates with an irregular pattern of laser cut circular holes. The aluminium plates are treated to give them the desired colour and patina at day time. At night, the programmable lighting, installed between the two facades, gives the building an additional metaphor.
ryanpanos:

Incineration Line | Erick van Egeraat | Tim Van de Velde | Via
The plant will incinerate waste, from nine surrounding municipalities and from many places abroad to produce electricity and heat power for the whole region of Roskilde. To provide the huge new incinerator line, planned in a relatively flat landscape and next to the relatively small city of Roskilde with a suitable appearance, an international design competition was organized. In 2008 the jury unanimously selected the design proposed by Erick van Egeraat. The design presents an iconic expression for the otherwise functional architecture of the local waste management company Kara/Noveren’s next generation incineration line. The façade consists of two layers: the inner layer is the skin which provides the actual climatic barrier, allowing the second skin to be treated more freely – raw umber-coloured aluminium plates with an irregular pattern of laser cut circular holes. The aluminium plates are treated to give them the desired colour and patina at day time. At night, the programmable lighting, installed between the two facades, gives the building an additional metaphor.
ryanpanos:

Incineration Line | Erick van Egeraat | Tim Van de Velde | Via
The plant will incinerate waste, from nine surrounding municipalities and from many places abroad to produce electricity and heat power for the whole region of Roskilde. To provide the huge new incinerator line, planned in a relatively flat landscape and next to the relatively small city of Roskilde with a suitable appearance, an international design competition was organized. In 2008 the jury unanimously selected the design proposed by Erick van Egeraat. The design presents an iconic expression for the otherwise functional architecture of the local waste management company Kara/Noveren’s next generation incineration line. The façade consists of two layers: the inner layer is the skin which provides the actual climatic barrier, allowing the second skin to be treated more freely – raw umber-coloured aluminium plates with an irregular pattern of laser cut circular holes. The aluminium plates are treated to give them the desired colour and patina at day time. At night, the programmable lighting, installed between the two facades, gives the building an additional metaphor.
ryanpanos:

Incineration Line | Erick van Egeraat | Tim Van de Velde | Via
The plant will incinerate waste, from nine surrounding municipalities and from many places abroad to produce electricity and heat power for the whole region of Roskilde. To provide the huge new incinerator line, planned in a relatively flat landscape and next to the relatively small city of Roskilde with a suitable appearance, an international design competition was organized. In 2008 the jury unanimously selected the design proposed by Erick van Egeraat. The design presents an iconic expression for the otherwise functional architecture of the local waste management company Kara/Noveren’s next generation incineration line. The façade consists of two layers: the inner layer is the skin which provides the actual climatic barrier, allowing the second skin to be treated more freely – raw umber-coloured aluminium plates with an irregular pattern of laser cut circular holes. The aluminium plates are treated to give them the desired colour and patina at day time. At night, the programmable lighting, installed between the two facades, gives the building an additional metaphor.
ryanpanos:

Incineration Line | Erick van Egeraat | Tim Van de Velde | Via
The plant will incinerate waste, from nine surrounding municipalities and from many places abroad to produce electricity and heat power for the whole region of Roskilde. To provide the huge new incinerator line, planned in a relatively flat landscape and next to the relatively small city of Roskilde with a suitable appearance, an international design competition was organized. In 2008 the jury unanimously selected the design proposed by Erick van Egeraat. The design presents an iconic expression for the otherwise functional architecture of the local waste management company Kara/Noveren’s next generation incineration line. The façade consists of two layers: the inner layer is the skin which provides the actual climatic barrier, allowing the second skin to be treated more freely – raw umber-coloured aluminium plates with an irregular pattern of laser cut circular holes. The aluminium plates are treated to give them the desired colour and patina at day time. At night, the programmable lighting, installed between the two facades, gives the building an additional metaphor.
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fabriciomora:

The Commons (Participatory urban neighborhood) Holcim Awards Bronze 2014 Europe - Arenas Basabe Palacios
fabriciomora:

The Commons (Participatory urban neighborhood) Holcim Awards Bronze 2014 Europe - Arenas Basabe Palacios
fabriciomora:

The Commons (Participatory urban neighborhood) Holcim Awards Bronze 2014 Europe - Arenas Basabe Palacios
fabriciomora:

The Commons (Participatory urban neighborhood) Holcim Awards Bronze 2014 Europe - Arenas Basabe Palacios
fabriciomora:

The Commons (Participatory urban neighborhood) Holcim Awards Bronze 2014 Europe - Arenas Basabe Palacios
fabriciomora:

The Commons (Participatory urban neighborhood) Holcim Awards Bronze 2014 Europe - Arenas Basabe Palacios
fabriciomora:

The Commons (Participatory urban neighborhood) Holcim Awards Bronze 2014 Europe - Arenas Basabe Palacios
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fabriciomora:

A Date With Data - Hayden Grindell
fabriciomora:

A Date With Data - Hayden Grindell
fabriciomora:

A Date With Data - Hayden Grindell
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acidadebranca:

Chicago
[25]
The Kluczynski Federal Building is a modernist skyscraper in the downtown Chicago Loop located at 230 South Dearborn Street. The 45-story structure was designed byLudwig Mies van der Rohe and completed in 1974 as the last portion of the new Federal Center. It is 562 feet (171 m) tall and stands on the site previously occupied by theChicago Federal Building by the architect Henry Ives Cobb. It was named in honor ofU.S. Congressman John C. Kluczynski, who represented Illinois’s 5th congressional district from 1951 to 1975 after his death that year.[1] This is one of three buildings by van der Rohe in the Federal Center Plaza complex: the others are the US Post Office (Loop Station) and the Everett McKinley Dirksen United States Courthouse.
via
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formascriticas:

→ Sharifi-ha House por Next Office. ©Salar Motabari
A casa Sharifi-ha do atelier Next Office em Tenran, no Irão, foi um dos poucos projectos que me chamaram atenção durante o meu período de férias.
Não sou fã dos interiores deste edifício, mas, não posso deixar de fazer referência ao excelente trabalho que este atelier realizou com a fachada. Adorei a ideia da mutação/metamorfose, que me fez lembrar os conhecidos - Transformres - e as diferentes disposições que estes volumes revestidos a madeira podem adquirir. Acima o conceito e algumas imagens que explicam todo o processo. 
O projecto completo pode ser visto aqui. Take a look! 
formascriticas:

→ Sharifi-ha House por Next Office. ©Salar Motabari
A casa Sharifi-ha do atelier Next Office em Tenran, no Irão, foi um dos poucos projectos que me chamaram atenção durante o meu período de férias.
Não sou fã dos interiores deste edifício, mas, não posso deixar de fazer referência ao excelente trabalho que este atelier realizou com a fachada. Adorei a ideia da mutação/metamorfose, que me fez lembrar os conhecidos - Transformres - e as diferentes disposições que estes volumes revestidos a madeira podem adquirir. Acima o conceito e algumas imagens que explicam todo o processo. 
O projecto completo pode ser visto aqui. Take a look! 
formascriticas:

→ Sharifi-ha House por Next Office. ©Salar Motabari
A casa Sharifi-ha do atelier Next Office em Tenran, no Irão, foi um dos poucos projectos que me chamaram atenção durante o meu período de férias.
Não sou fã dos interiores deste edifício, mas, não posso deixar de fazer referência ao excelente trabalho que este atelier realizou com a fachada. Adorei a ideia da mutação/metamorfose, que me fez lembrar os conhecidos - Transformres - e as diferentes disposições que estes volumes revestidos a madeira podem adquirir. Acima o conceito e algumas imagens que explicam todo o processo. 
O projecto completo pode ser visto aqui. Take a look! 
formascriticas:

→ Sharifi-ha House por Next Office. ©Salar Motabari
A casa Sharifi-ha do atelier Next Office em Tenran, no Irão, foi um dos poucos projectos que me chamaram atenção durante o meu período de férias.
Não sou fã dos interiores deste edifício, mas, não posso deixar de fazer referência ao excelente trabalho que este atelier realizou com a fachada. Adorei a ideia da mutação/metamorfose, que me fez lembrar os conhecidos - Transformres - e as diferentes disposições que estes volumes revestidos a madeira podem adquirir. Acima o conceito e algumas imagens que explicam todo o processo. 
O projecto completo pode ser visto aqui. Take a look! 
formascriticas:

→ Sharifi-ha House por Next Office. ©Salar Motabari
A casa Sharifi-ha do atelier Next Office em Tenran, no Irão, foi um dos poucos projectos que me chamaram atenção durante o meu período de férias.
Não sou fã dos interiores deste edifício, mas, não posso deixar de fazer referência ao excelente trabalho que este atelier realizou com a fachada. Adorei a ideia da mutação/metamorfose, que me fez lembrar os conhecidos - Transformres - e as diferentes disposições que estes volumes revestidos a madeira podem adquirir. Acima o conceito e algumas imagens que explicam todo o processo. 
O projecto completo pode ser visto aqui. Take a look! 
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subtilitas:

Panovscott - House JC renovation, Sydney 2013. Photos (C) Brett Boardman.
subtilitas:

Panovscott - House JC renovation, Sydney 2013. Photos (C) Brett Boardman.
subtilitas:

Panovscott - House JC renovation, Sydney 2013. Photos (C) Brett Boardman.
subtilitas:

Panovscott - House JC renovation, Sydney 2013. Photos (C) Brett Boardman.
subtilitas:

Panovscott - House JC renovation, Sydney 2013. Photos (C) Brett Boardman.
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urhajos:

Lego Springfield
urhajos:

Lego Springfield
urhajos:

Lego Springfield
urhajos:

Lego Springfield
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ombuarchitecture:

Plasticity
What: Church of St. Pierre Built by: Le Corbusier & José OubrerieWhen: Construction began in 1971 but was abandoned, it restarted and ended in 2006.Where: Firminy Vert, FranceVisited: June 2013 
By Miroslava Brooks
ombuarchitecture:

Plasticity
What: Church of St. Pierre Built by: Le Corbusier & José OubrerieWhen: Construction began in 1971 but was abandoned, it restarted and ended in 2006.Where: Firminy Vert, FranceVisited: June 2013 
By Miroslava Brooks
ombuarchitecture:

Plasticity
What: Church of St. Pierre Built by: Le Corbusier & José OubrerieWhen: Construction began in 1971 but was abandoned, it restarted and ended in 2006.Where: Firminy Vert, FranceVisited: June 2013 
By Miroslava Brooks
ombuarchitecture:

Plasticity
What: Church of St. Pierre Built by: Le Corbusier & José OubrerieWhen: Construction began in 1971 but was abandoned, it restarted and ended in 2006.Where: Firminy Vert, FranceVisited: June 2013 
By Miroslava Brooks
ombuarchitecture:

Plasticity
What: Church of St. Pierre Built by: Le Corbusier & José OubrerieWhen: Construction began in 1971 but was abandoned, it restarted and ended in 2006.Where: Firminy Vert, FranceVisited: June 2013 
By Miroslava Brooks
ombuarchitecture:

Plasticity
What: Church of St. Pierre Built by: Le Corbusier & José OubrerieWhen: Construction began in 1971 but was abandoned, it restarted and ended in 2006.Where: Firminy Vert, FranceVisited: June 2013 
By Miroslava Brooks
ombuarchitecture:

Plasticity
What: Church of St. Pierre Built by: Le Corbusier & José OubrerieWhen: Construction began in 1971 but was abandoned, it restarted and ended in 2006.Where: Firminy Vert, FranceVisited: June 2013 
By Miroslava Brooks
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archatlas:

MAS | Museum Aan de Stroom Neutelings Riedijk Architects
archatlas:

MAS | Museum Aan de Stroom Neutelings Riedijk Architects
archatlas:

MAS | Museum Aan de Stroom Neutelings Riedijk Architects
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ombuarchitecture:

Casa Mestre
Valle de Bravo • México
by Dellekamp
via Plataforma Arquitectura
ombuarchitecture:

Casa Mestre
Valle de Bravo • México
by Dellekamp
via Plataforma Arquitectura
ombuarchitecture:

Casa Mestre
Valle de Bravo • México
by Dellekamp
via Plataforma Arquitectura
ombuarchitecture:

Casa Mestre
Valle de Bravo • México
by Dellekamp
via Plataforma Arquitectura
ombuarchitecture:

Casa Mestre
Valle de Bravo • México
by Dellekamp
via Plataforma Arquitectura
ombuarchitecture:

Casa Mestre
Valle de Bravo • México
by Dellekamp
via Plataforma Arquitectura
ombuarchitecture:

Casa Mestre
Valle de Bravo • México
by Dellekamp
via Plataforma Arquitectura